一位日本女摄影师眼中的这些城，那些人

海上摄影文化促进会

遥远的余韵

抓拍，是我的摄影主流。静止的画面，散发出的却是街道、人物的生活气息。时而温暖、时而哀愁。

此次的展出是八十年代末在上海、北京、广州旅行中拍摄的作品。那一年，我成了摄影记者，所以这些作品也是我成为职业摄影师人生的起点。

那是一个人与人距离相近的年代。我在街头拍摄，周围的人对我微笑，和我闲聊。不因为我是一个外国人而产生隔阂，直爽，不隐藏感情。我当时就喜爱上了中国的民众。回顾以往，我感到一种与当代社会不同气氛的从容。

我至今时常会想起30年前的中国，不知我照片中的人们现在如何？那家店是否还在？余韵一直回荡在我心中。各位若能通过照片和我一同沉浸在那个年代的氛围中去，我会十分高兴。

30年后的今天，能在上海开办影展，我深感荣幸。在此我对赋予我此般机会的老朋友郭允和他的友人顾铮、陆元敏夫妇和提供展览空间的陆海天、李为民深表谢意。同时感谢各位的光临，我还要感谢照片中的被拍对象，不仅是人，背景的建筑、空中的飞鸟、还有烤鸭店（笑）。感谢所有的被摄对象。

2019年12月广瀬明代

注：此展的作品全部是胶片摄影，本人的暗房制作。

胶卷：Kodak TRI-X 400

相纸：ILFORD MULTIGRADE

FB/Warmtone

Resonance in the Distance

I like a snapshot. Because the expressions of stopping people or city in the photographs tell you a life in that place.This exhibition show photographs which were taken in China , including Shanghai, Beijing, and Guangzhou. I started to work as a photojournalist in this year, so this series of China is the starting point of my photographer life.It was the time when people were interested in one another, I believe. When people saw me taking pictures in the town, some of them were smiling, others came to talk to me. They were fenceless to me as a foreigner and they expressed their feelings to me straight. So I liked Chinese people very much. There was a peace of mind in that society definitely, which seemed difference from present day.When I see my pictures I remember the people in the photos and think how they are going or that shop still exists or not. I have a resonance still in my mind the distant past. I’m happy if you enjoy my photographs which were taken 30 years ago, good old days. It is a great honor to take place my exhibition here in Shanghai. I would like to show my appreciation my good old friend Mr. Guo Yun who gave me a chance to do it. Also I would like to express my deep gratitude to his friends, a photographer Mr. Lu Yuan min, a photography critic Mr. Gu Zheng, and a president Mr. Lu Hai tian who let me use this gallery. I really appreciate what they’ve done for me.Thank you for all coming to my exhibition today. And I thank the people who let me take pictures. Beside people I thank the buildings, the flying birds in the sky and the Peking ducks!!

Akiyo HiroseDecember, 2019

Technic：

All photographs were taken by 35mm films, printed on gelatin silver print paper by the photographer own.

Sensitive materials：

Film: Kodak TRI-X 400

Paper: ILFORD MULTIGRADE FB / Warmtone

广瀬明代摄影作品欣赏

广瀬明代（Hilose Akiyo）1964年生于东京都品川区八十年代末就职朝日新闻社2004年辞职后以自由职业摄影师的身份从事活动。进修日本大学大学院艺术学研究系映像艺术专科日本摄影家协会会员日本摄影家艺术学会会员个展2001年 Face of Russia（莫斯科）2005年 大娘！大娘！-俄罗斯的女人们-（东京、札幌、仙台、福冈）2006年同上展（北九州）2019年1月 遥远的余韵论文关于日本的摄影原作的概念的成立和展开

Akiyo Hirose

1964 Born in Tokyo Started working at newspaper company as a photo journalist2004 Left the company and became a freelance photographer to present･Completed image arts master course at Nihon University graduate school of arts･Member of Japan Professional Photographers Society･Member of Japan Society for Arts and History of photographyPersonal exhibition2001 Лицо Росий(Face of Russia)/ Moscow2005 Tyotya! Tyotya! -Face of Russia/ Tokyo, Sapporo, Sendai, Fukuoka2006 As above/ Kitakyushu2019Resonance in the Distance/ TokyoThesisA study on the formation and development of the concept “original print” in Japan

遥远的余韵

广瀬明代摄影展

展览时间

2019.12.22~12.29（下午1:30-4:30）

开幕时间

12月22日下午1:30

展出地点

海上空间(平型关路1222号)

主办单位

海上摄影文化促进会

海上文化中心

策展人

顾铮

END

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