时风丨白陽评议唐诗卷：是真正的文人书法在当代的回归

白阳评议唐诗卷视频解说

旭宇先生给我的印象始终是儒雅与博大。

他作为当代文人书法大家，书、学兼修，诗、书自养。

在近八十岁的高龄再鼓风帆，二○一七年至二○一八年，《书法报》连载了旭宇先生的《寄给历史之书札》三十篇，在东湖琴社举办了『旭宇先生读书手札品鉴会』，这些作品的内容或为旭宇先生自作诗文，或为其散文小品，或为先生评鉴历代名家诗作、经典碑帖之所思、所悟、所感，形制或尺牍、或手卷，笔墨皆随心而为，一气呵成，每一件作品均跳跃着先生思想和智慧的光芒，可谓内容与形式的高度统一，心手双畅、圆融无碍、优游自得，堪称旭宇先生的代表作品。

《白阳评议唐诗手卷》是先生步入耄耋之年的代表作，通篇观之，一派晋唐气象，潇洒古淡，逸气盈楮。章法上，先生汲取了元代大画家黄公望《富春山居图》之元素，书中有画，虚实相生，错落有致，如山川之美景，自相映发，使人应接不暇。先生对唐代数位著名诗人的作品评议和品鉴是发乎本心的，笔墨是内心之昇华，率真、自在、超脱！这是功与性、情与意的高度融合。先生早年从唐楷起步，进入中年又在魏碑上下功夫，花甲之年对唐宋人行草广泛涉猎，步入古稀之年，先生广收博采，加强了对晋人的取法，随着对『二王』书法研究的不断深入，使其书风为之一变。细品此卷，碑之端厚、帖之畅达，在其笔下左右逢源，营造出了一种潇散与奇逸的境界。作品通篇骨气充盈，风神独具，漾溢着一种感人的力量。

先生老骥伏枥，志在千里。先生有着强烈的代表作意识，从中可窥一个老艺术家再攀艺术高峰的勇气和决心。其代表作意识的觉醒其实也是当代书坛由高原到高峰之觉醒，为我们这个时代实现对传统经典的传承和对接提供了有益的启示，旭宇先生书法作品的意义已经超过了其创作本身。

撰文：刘月卯先生，现为中国书法家协会理事、中国书法家协会行书委员会秘书长、河北省文联副主席、河北省书法家协会驻会副主席兼秘书长。

旭宇

XuYu

白陽，乃旭宇先生晚年之号。当代著名诗人、一级作家、书法家。中国书法家协会第四、五届副主席。现为中国书法家协会顾问、河北省文联名誉主席、河北省政府参事室参事、河北省政协文史馆名誉馆长、国务院文史馆书画院院务委员等。

旭宇先生是当代文人书法家，是典型跨作家、书法家两栖艺术大家。他首先是个文人，著有诗集、文论集十几部，对传统文化颇有研究。其所著《寄给历史之书 札》《老子与书画》等专著，于报刊陆续发表后在社会 上引起广泛关注并获得好评。而他在八十高龄后所创作的《白陽评议唐诗卷》，则被认为是真正的文人书法在当代的回归。

旭宇先生自幼喜欢唐诗与书法，他以精妙的笔墨写下了对唐代诸多诗人作品的感悟与评论，文思敏捷、笔 墨鲜活，创作了属于他个人、同时也属于当代的、别具风貌又文墨一体的作品。

Bai Yang is the name of Mr. Xu Yu in his later years. He is a famous contemporary poet, first-class writer and calligrapher. Fourth and fifth vice chairman of Chinese Calligrapher Association. He is now a consultant of China Calligrapher Association, honorary chairman of Hebei Federation of literary and art circles, counselor of Hebei provincial government Counselor Office, honorary curator of Hebei CPPCC cultural and Historical Museum, and academician of the painting and Calligraphy Institute of the cultural and Historical Museum of the State Council.

Mr. Xu Yu is a contemporary literati calligrapher, a typical cross writer and calligrapher. First of all, he is a literati. He has written more than ten collections of poems and essays. He has a lot of research on traditional culture. His monographs, such as letters sent to history, Laozi and calligraphy and painting, attracted wide attention in the society and won high praise after they were published in the press. And his poem volume of Baiyang commenting on Tang Dynasty, which was created after he was 80 years old, is regarded as the return of real literati calligraphy in the contemporary era.

Mr. Xu Yu liked Tang poetry and calligraphy since he was a child. He wrote down his feelings and comments on many Tang poets' works with exquisite brush and ink. He was quick in thinking and vivid in writing. He created works that belonged to his own, but also belong to the contemporary, unique style and integration of culture and ink.

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